Vincent van Goghs Joy Essay Example For Students

Vincent van Goghs Joy Essay Vincent van Gogh was a famous Dutch Post-Impressionist artist, whose unique artwork revolved around a curious joy of absorbing nature and its surroundings, then transforming what he saw into a distinctive style of expressionist art. Vincent created this distinctive style by expressing his emotions with a certain method of brush strokes and the color he blended with his brush strokes into his paintings. The van Gogh family and a number of powerful artists of that period had a great deal of influence on how Vincent van Gogh created his unique and colorful brush strokes Wallace 9. The family influence on his unique and distinctive style of art began the day he was born on March 30, 1853. Vincent was born into a family of religious and artistic relatives who were mourning the death of his older brother. Vincents brother was born and died by stillbirth on the exact date that Vincent was born, a year later. It was a very odd coincidence and even odder when their parents gave Vincent Willem van Gogh the exact name they had given his older brother. The stillborn baby was buried in a graveyard next to the familys church where his father was a Protestant minister. We will write a custom essay on Vincent van Goghs Joy specifically for you for only $16.38 $13.9/page Order now The gravestone of Vincents brother was inscribed with the words VINCENT VAN GOGH 1852 Suffer little children to come unto me and forbid them not for such is the KINGDOM OF GOD Sweetman 7. The death of his older brother effected Vincent throughout his life, and his curiosity of his older brother with the exact name, birth date and date of death, would take Vincent on long walks past his brothers grave. Torterolo 8. He would turn these curious walks from his home to his brothers grave into an adventure of wonder and he began exploring the colors and textures of nature. He was a typical, ordinary child with a special gift of wonder and curiosity and would spend hours examining every detail of color and texture within a flower, leaf, bush, insect and anything of nature that caught his eye. Instead of playing with other children, he would prefer to play alone outside and was drawn to discovering nature like a bee to honey. As Vincent explored the road to and from the graveyard, he examined the colors and textures on a small scale, remembering every detail at an early age. As he grew older, these details would contribute to help him paint the larger scales of landscapes, trees, skies and water. Vincents nature walks became more interesting and meaningful when his younger brother, Theodorus Theo van Gogh was able to accompany him. Theo was two years younger than Vincent and became his closest companion throughout his life. Together they would spend hours playing and exploring the Dutch countryside. Later in life, Vincent would write over 600 letters to Theo explaining the many colors he was mixing in his paintings, comparing them to the colors and textures they discovered on their nature walks when they were young boys. His mother, Anna Cornelia Carbentus who liked to sketch and paint wildflowers in her spare time as a hobby, was born into a family of art dealers. Vincents father, Theodorus Dorus van Gogh was a Protestant minister who came from a large family of religious ministers and art dealers. This combination of influences from his mothers background in art and his fathers religion became an inner struggle for Vincent. These influences also had a deep impact on his life, how he viewed art and would eventually lead him to paint with dramatic bright colors and develop his own unique style of painting. The religious background of his father drew him towards the dramatic religious experiences that were portrayed in many masterpieces of art that Rembrandt created. Rembrandts paintings were a mixture of drama and tenderness, and of dark and light colors. This mixture of drama and colors caught Vincents curiosity and became another great influence in the development of his unique color and style. The influence of these dark, dramatic, powerful scenes with light tender highlighted glows within them stayed with Vincent throughout his entire life and were revealed in many of his own paintings. .u3cf99148ff8800778fde02dfd796477f , .u3cf99148ff8800778fde02dfd796477f .postImageUrl , .u3cf99148ff8800778fde02dfd796477f .centered-text-area { min-height: 80px; position: relative; } .u3cf99148ff8800778fde02dfd796477f , .u3cf99148ff8800778fde02dfd796477f:hover , .u3cf99148ff8800778fde02dfd796477f:visited , .u3cf99148ff8800778fde02dfd796477f:active { border:0!important; } .u3cf99148ff8800778fde02dfd796477f .clearfix:after { content: ""; display: table; clear: both; } .u3cf99148ff8800778fde02dfd796477f { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3cf99148ff8800778fde02dfd796477f:active , .u3cf99148ff8800778fde02dfd796477f:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3cf99148ff8800778fde02dfd796477f .centered-text-area { width: 100%; position: relative ; } .u3cf99148ff8800778fde02dfd796477f .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3cf99148ff8800778fde02dfd796477f .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3cf99148ff8800778fde02dfd796477f .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3cf99148ff8800778fde02dfd796477f:hover .ctaButton { background-color: #34495E!important; } .u3cf99148ff8800778fde02dfd796477f .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3cf99148ff8800778fde02dfd796477f .u3cf99148ff8800778fde02dfd796477f-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3cf99148ff8800778fde02dfd796477f:after { content: ""; display: block; clear: both; } READ: What influence has Vincent van Gogh EssayVincents namesake, Doruss brother, was known as Uncle Cent and was a wonderful influence in Vincents life. He introduced Vincent and Theo to the world of art by telling stories of great artists and their work. Vincent was an excellent student and loved to read. He was not sure what his career would be but he knew he had to go to work and help his family. Uncle Cent helped Vincent get started in the art world at the early age of sixteen. Uncle Cent was a respected art dealer who helped him get an apprentice position, at The Hague School south of Amsterdam in the Netherlands. This was the introduction of his life into the world of art. Vincent worked at The Hague and was intrigued by the masterpieces that he worked with on a daily basis. Vincents joy of art grew with the new and exciting experiences at his job. It was evident that he enjoyed his work when The Hague promoted him and transferred him to The Goupil in London. In London, he followed the same pattern exploring the countryside, except that his small scale of evaluating color and texture, grew from evaluating flowers, leaves, bushes, and insects to a larger scale of historical architecture, bridges, and famous sculptures. He would take many long walks to and from work reviewing every detail of architecture and style of the decorative buildings of London. Living in London became a turning point in Vincents life. He was very happy working at his job and he met his landowners daughter, Eugenie and secretly fell in love with her. Eugenie did not share his affections and rejected any relationship with Vincent. He was devastated and Eugenies rejection started a series of deteriorating events in Vincents life. This deterioration was reflected in his work at The Goupil and eventually he was fired. He was no longer interested in anything in life except religion. He became obsessed with religion and was developing a negative outlook towards society. After being fired from The Goupil, his life took a gloomy turn for the worse. Vincent moved to Borinage, a coal-mining district in Belgium. The dark, dismal poverty stricken lifestyle of Borinage attracted Vincent. Although he was obsessed with religion and thought he needed to endure hardship of any kind, he was a sensitive and good- hearted individual and sincerely felt that this was his calling in life. He was so absorbed in his own life he did not understand the balance of eating versus not eating, giving his own clothes to people in need, ending up with rags for himself. This behavior began to take a toll on his mental and physical health. It was uncanny that he could function within a normal world during this period, but it also seemed that his main concern was to describe this way of life in letters to Theo Van Gogh The Letters. His dismal life in Borinage, came close to causing his death, but these letters to Theo seemed to keep him in reality. The letters Vincent wrote to Theo were an outlet from living in Borinage and eventually gave him strength to overcome his obsession of wanting to live like a martyr. He left the Borinage moved home to his parents home and began to paint. His first attempt at using color was without instruction and based on what he knew from the outside natural environment. As a result, he experimented with primary colors and used more earth tones and black and color mixtures. He became very obsessed with painting and tried to portray his martyr like experiences in the Borinage of Belgium on canvas. Using field workers as models, he created a painting called The Potato Eaters Van Gogh The Paintings. The Potato Eaters portrayed the dismal, dark colors of his Borinage experience and conveyed a new result for Vincents color and method in his paintings Table 1. Table 1 The Potato Eaters Vincent felt this was the best artwork he had ever created. He was excited and started making plans to move to Paris and become an artist when his father suddenly died. His life was so isolated and unrealistic that his fathers death did not seem to impact him at all. .u2c580fb8ec8f981471b4ff07485eeefa , .u2c580fb8ec8f981471b4ff07485eeefa .postImageUrl , .u2c580fb8ec8f981471b4ff07485eeefa .centered-text-area { min-height: 80px; position: relative; } .u2c580fb8ec8f981471b4ff07485eeefa , .u2c580fb8ec8f981471b4ff07485eeefa:hover , .u2c580fb8ec8f981471b4ff07485eeefa:visited , .u2c580fb8ec8f981471b4ff07485eeefa:active { border:0!important; } .u2c580fb8ec8f981471b4ff07485eeefa .clearfix:after { content: ""; display: table; clear: both; } .u2c580fb8ec8f981471b4ff07485eeefa { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2c580fb8ec8f981471b4ff07485eeefa:active , .u2c580fb8ec8f981471b4ff07485eeefa:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2c580fb8ec8f981471b4ff07485eeefa .centered-text-area { width: 100%; position: relative ; } .u2c580fb8ec8f981471b4ff07485eeefa .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2c580fb8ec8f981471b4ff07485eeefa .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2c580fb8ec8f981471b4ff07485eeefa .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2c580fb8ec8f981471b4ff07485eeefa:hover .ctaButton { background-color: #34495E!important; } .u2c580fb8ec8f981471b4ff07485eeefa .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2c580fb8ec8f981471b4ff07485eeefa .u2c580fb8ec8f981471b4ff07485eeefa-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2c580fb8ec8f981471b4ff07485eeefa:after { content: ""; display: block; clear: both; } READ: Van Gogh and Kandinsky EssayVincent moved to Paris where he moved in with his brother Theo and looked at color differently than the dark dismal shadows he had seen in Borinage. Vincent saw color in a new way: the powerful light he had admired in the art of Rembrandt and Tintoretto turned into the delicate tonal gradations that characterize his Parisian landscapes Torterolo 40. Vincent became interested in the mixture of color in paints and knew he needed instruction, so he enrolled in the famous Parisian studio by Cormon. The action of enrolling in a studio was remarkable for Vincent as he was never comfortable taking instruction of art from anyone. He had grown from a very sweet inquisitive child into a martyr wanting to express his oppressive experiences in art and now wanting to learn and develop a new experience of color and method in his paintings. All in all, this remarkable, positive move to Paris, enrolling in the studio by Cormon, was such an improvement to his lifestyle, that one could actually see it in his choice of color and brushstrokes with which he painted. From his studio experience, he learned how colors were created on canvas without the natural light of nature and his thick application of paint and color to the canvas was very different from the applications of other artists of that period. His instructor thought this was an odd way of applying paint to canvas and was very harsh and critical of his style and methods. Vincent was more critical of his style than his instructor, and worked harder at perfecting his style and methods. He loved the bright, vibrant colors he produced and continued to paint them in the future. His unique method of painting consisted of his emotions, styles of brush strokes and mixtures of color within his brush strokes. Author, Robert Wallace, described Vincents method of painting as: It was a method to fuse what he saw, and what he felt, as quickly as possible into statements that were revelations of himselfWallace 7. This description was an exact overview of his short career as a painter. Table 2 Self-Portrait with Grey Felt Hat The painting method that he developed over the short span of his career was short, abrupt, brush strokes leaving thick lines of paint on the surface of the canvas. His work titled Self-Portrait with Grey Felt Hat revealed the thick lines of paint which were transformed into different shades of color as the brushstroke continued across the canvas Table 2. Another example of his famous artwork was named Starry Night. This painting illustrated the different shades of color by the movement and swirling motions of his paintbrush Table 3. Table 3 Starry Night Towards the end of his life, Vincents emotions and his declining health, revealed a more dramatic spontaneous brushstroke and color mixture. His unique emotional use of color within his paintings was a variety of primary colors reduced and enhanced in his painting titled Fishing Boats on the Beach at Saintes-Maries de-la-Mer Table 4. Table 4 Fishing Boats on the Beach at Saintes-Maries de-la-Mer A wonderful tribute to accompany Vincent van Goghs art was his personal letters he wrote to his brother Theo expressing his inner feelings of the artwork he created. The letters coincide with his art and explained events in his life of how he developed the unique style and color of his paintings Van Gogh The Letters. The combination of his art and writings revealed his joy of peaceful walks through nature and then producing vibrant colorful works of art from his visions.

Theoretical Models in Understanding Working Memory

Theoretical Models in Understanding Working Memory Ericsson and Kintsch (1995) model The first model which attempts to explain how working memory functions is the Ericsson and Kintsch (1995) model which explains that all individuals utilize skilled memory in everyday tasks however most these memories are stored in long term memory and then subsequently retrieved through various forms of retrieval mechanismsAdvertising We will write a custom research paper sample on Theoretical Models in Understanding Working Memory specifically for you for only $16.05 $11/page Learn More (Gobet, 2000). Ericsson and Kintsch explain that it would be impossible to hold so to speak all memories within our working memory rather what occurs is that individuals hold only a few concepts related to a task within their working memory and then use those as indicators to retrieve the information from long term memory (Licata, 2009). This process which they described as long term working memory can actually be compared to the card catalo g within a library which stores information regarding particular books and then directs people to which specific shelf they are located (Gobet, 2000). This is a faster and more effective system as compared to merely stacking all the books within a library on tables and expecting people to find exactly what they are looking for. Baddeley and Hitch (1974) multi-component model The second model for understanding the processes involved in working memory is the Baddeley and Hitch (1974) multi-component model which states that working memory operates via a system of slave systems and a central controller which supervises the transmission and coordination of information (RepovÃ…   Baddeley, 2006). The first slave system of the Baddeley and Hitch (1974) model is called the phonological loop which stores the sound of language. This system operates via a method of continuous repetition where in order to prevent the decay of accumulated words, phrases, meanings etc. the system continuously re peats the content thus refreshing it and ensuring that a person doesnt forget it. For example, remembering people’s names, numbers and associated information regarding a particular individual is governed by this system (RepovÃ…   Baddeley, 2006). The second slave system is called the visual-spatial sketchpad which is involved in the storage and retrieval of visual and spatial information. Aspects related to this system come in form of visual images such as colors, shapes and the location of various objects and places of interest (Baddeley, Allen Hitch, 2011). Facilitating the proper operation of both systems in the Baddeley and Hitch (1974) model is the central executive system which is responsible for directing the processes related to systematizing information towards relevant processes while at the same time minimizes or outright eliminates inappropriate or irrelevant information from being disseminated (Baddeley, Allen Hitch, 2011).Advertising Looking for resea rch paper on psychology? Let's see if we can help you! Get your first paper with 15% OFF Learn More It must also be noted that under this particular model the central executive also handles the delegation of processes when more than one activity is being done at the same time. Cowan model The last model for explaining how working memory functions is the Cowan model which is rather unique in that it considers working memory as not being a separate system but is actually part of long term memory unlike other models and explanations which indicate a separation between the two (Sà ¶rqvist Rà ¶nnberg, 2012). Combining the Concepts One way of combining the various models into a cohesive whole is to consider that working memory is indeed the result of retrieval mechanisms as indicated by the Ericsson and Kintsch (1995) model however by integrating the Baddeley and Hitch (1974) model we can come to understand that these retrieval mechanisms are in fact part of the central executive as described by Baddeley and Hitch. As such it can be assumed that memory is the direct result of a complex relationship between retrieval mechanisms, the central executive and the slave systems which comprise the long term storage of memories which are only retrieved when necessary via memory triggers within working memory (Hamamà © et al., 2012). When combined with the Cowan model it can be assumed that working memory and long term memory are indeed integrated with working memory acting as a means of triggering long term memory to function thus indicating some form of inherent connection between the two. Reference List Baddeley, A. D., Allen, R. J., Hitch, G. J. (2011). Binding in visual working memory: The role of the episodic buffer. Neuropsychologia, 49(6), 1393-1400. Gobet, F. (2000). Retrieval structures and schemata: A brief reply to Ericsson and Kintsch. British Journal Of Psychology, 91(4), 591.Advertising We will write a custom research paper sample o n Theoretical Models in Understanding Working Memory specifically for you for only $16.05 $11/page Learn More Hamamà ©, C. M., Vidal, J. R., Ossandà ³n, T., Jerbi, K., Dalal, S. S., Minotti, L., Lachaux, J. (2012). Reading the minds eye: Online detection of visuo-spatial working memory and visual imagery in the inferior temporal lobe. Neuroimage,  59(1), 872-879. Licata, I. (2009). A Dynamical Model for Information Retrieval and Emergence of Scale-Free Clusters in a Long Term Memory Network. Emergence: Complexity   Organization, 11(1), 48-57. RepovÃ…  , G. G., Baddeley, A. A. (2006). The multi-component model of working memory: Explorations in experimental cognitive psychology. Neuroscience,  139(1), 5-21. Sà ¶rqvist, P., Rà ¶nnberg, J. (2012). Episodic Long-Term Memory of Spoken Discourse Masked by Speech: What Is the Role for Working Memory Capacity?. Journal Of  Speech, Language Hearing Research, 55(1), 210-218.

Affirmative Action Curbed in California

Affirmative Action Curbed in California Essay By William ClaiborneWashington Post Staff WriterFriday, June 2, 1995; Page A01LOS ANGELES, JUNE 1 California Gov. Pete Wilson (R), vowing to lead a growing conservative movement to end three decades of racial and gender preferences as an antidote to discrimination, today signed an executive order abolishing a wide range of affirmative action programs affecting hiring and contracting in state agencies. Wilson, who is seeking the Republican presidential nomination, eliminated or sharply cut back scores of affirmative action policies or programs that are not mandated by state or federal laws or that exceed those laws. He also abolished 118 boards and commissions created to advise state agencies on ethnic and gender diversity issues. Although he has no direct authority to order policy changes for public schools, colleges and universities, Wilson told his appointees on state educational governing boards that he wants them to dismantle race and gender preference programs that are not required by law. As mayor of San Diego in the 1970s, Wilson championed affirmative action, adopting a plan to increase the hiring of minority workers and requiring major city contractors to adopt similar programs. But opposition to affirmative action has become a common theme of the Republican presidential candidates and many Republicans in Congress. Flanked today by a group of Forestry Department firefighters from various minorities, who the governors aides said symbolize Californians who resent a public perception that they were hired on the basis of preferential treatment, Wilson said affirmative action is not only unfair, it stigmatizes the achievements of those it was intended to help. His order repeals affirmative action orders signed by three previous governors, including Republicans Ronald Reagan and George Deukmejian. In a statement released earlier, Wilson said great societal guilt had stimulated the creation of affirmative action programs in the 1960s and would undermine the very foundation of the American dream if hiring and contract programs based on race and gender preference were not rolled back. Wilson blamed the misfired good intentions of leaders dating back to John F. Kennedy for programs he said unfairly discriminated against certain ethnic groups to compensate others for past injustices. The Republican governor said he would aggressively pursue further cutbacks in preferential treatment for minorities and women in order to assure a new era of meritocracy. This executive order is an historic step forward. By itself, it doesnt complete the change we must make. Special preferences remain embedded in state and federal law. I vow to fight for changes in those laws, Wilson said. Sean Walsh, the governors press secretary, said Wilson is the first governor to roll back affirmative action programs. He said the order would affect all of the states approximately 150,000 full-time job positions. According to the California State Employees Association, about 60 percent of the state government work force is white, 16 percent Hispanic, 12 percent black, 6 percent are Asian and the remaining 6 percent from other groups. Wilsons action appeared designed to capitalize on public dissatisfaction with minority preference programs and on a backlash against what is characterized as reverse discrimination, while at the same time setting him apart from the eight other contenders for the GOP presidential nomination, none of whom are sitting governors. It comes a day after senior White House officials said President Clinton is still weeks or even months away from completing a review he has ordered of federal affirmative action programs. Wilson already had announced his support of a proposed 1996 state ballot initiative that would go further than todays order by abolishing affirmative action in all state hiring, contracting and university admissions practices. At least six other states Washington, Florida, Illinois, Oregon, Colorado and Nevada have similar ballot initiative campaigns in the works. Critics accused Wilson of flip-flopping on the issue in hopes of helping a presidential campaign that has been hampered by his slow recovery from his throat operation his remarks today were read out by a member of his cabinet and a sluggish fund-raising effort. He wants to be the voice of the angry white males, said Ramona Ripston, executive director of the American Civil Liberties Union of Southern California. READ: Sweatshop Labor: Wearing Thin Essay She noted that Wilsons come-from-behind reelection last year was boosted by his vociferous support for Proposition 187, the ballot initiative aimed at cutting off social services for illegal immigrants, another popular backlash measure. The Mexican American Legal Defense and Educational Fund, in a statement, called Wilsons order a desperate effort to recover his bid for the presidency by further polarizing Californians. MALDEF said Wilsons action was as noble as previous governors attempts to keep African Americans out of public schools in the South. Affirmative action orders signed by three previous governors Deukmejian, Edmund G. Jerry Brown Jr. (D) and Reagan were repealed by Wilson, who said they had encouraged the gradual development of racial and gender-based preferences and set asides. Among the agencies affected by Wilsons order is the state transportation department, Caltrans, which is required by agreement with the federal government to allocate 20 percent of its contracting funds to minority-owned firms. Wilson ordered Caltrans to negotiate a new agreement lowering that goal to 10 percent. He also ordered Caltrans to abolish an informal policy of awarding small purchase contracts of $500 or less to women or minority-owned firms and to make such decisions based on non-preferential competitive pricing. The governor ordered the Department of Forestry, which has a 50 percent goal for the hiring of women and minorities as seasonal firefighters, to eliminate that program and hire on the basis of merit. He eliminated a requirement that the racial and gender ratio on job interview panels for civil service and career executive positions mirror that of the population as a whole, and directed the Department of Water Resources to end its practice of setting aside two-thirds of all student intern openings for minority candidates. Words/ Pages : 980 / 24

Comment Essay Example | Topics and Well Written Essays - 250 words

Comment - Essay Example The post further states that we should begin to be mindful of the waste we dump into our environment and stop giving much thought to the big cars we want to drive without caring about the effect it has in our environment (Kasting and Seifert 123). The importance of caring for our natural resources like the water catchment areas and reducing the rate of using fossil fuels to help restore our environmental sanity is also highlighted in this post. The industrial revolution increased the need for more raw materials and this prompted the increased degradation of our natural resources to help feed the demand for industrialization but at the expense of destroying our environment. Technological growth has also not had any significant impacts on the fight to end global warming but has created avenues for people to have shortcuts and cheats in accomplishing their tasks (Kasting and Seifert 123) In conclusion, I want to concur with the post that all the blame of the environmental damage so far done on our environment is on human beings due to the activities and inactivity towards preserving God’s gift to

Meter Dose Inhaler verses Nebulizer Treatment Research Paper

Meter Dose Inhaler verses Nebulizer Treatment - Research Paper Example Patients frequently ask health care providers as to which is a better mode of administration in terms of efficacy, convenience and safety. This triggered me to find evidence to ascertain as to which of the two is a better mode of administration in acute wheezing. Thus, it was both problem focused and knowledge focused trigger that generated the clinical question. Names/Types of research sources used The research source used was PubMed. Summation of the research findings as related to the clinical question Rodrigo and Rodrigo (1998) performed a randomized, double-blind, parallel-group study to compare the efficacy of salbutamol (or albuterol) delivered by either metered-dose inhaler plus spacer (MDI-spacer) or by nebulization, and to determine the relationships between physiologic responses and plasma salbutamol concentrations. The study revealed that bronchodilatation remained same with metered dose inhalation and nebulization, but side effects were more with nebulization because of higher levels of plasma salbutamol due to increased absorption. Deerajanawong et al (2005) conducted a prospective randomized, double-blind, placebo-controlled trial with an aim to compare the efficacy of salbutamol aerosol therapy given metered dose inhaler and nebulization in young children with acute wheezing. ... From the study, it was evident that metered dose inhalers are as efficacious as nebulization to administer albuterol in young children with wheezing. Infact, the study revealed that metered dose inhalers were more convenient in this regard. Integration of research findings Administration of albuterol can be done either through metered dose inhalers or nebulization in acute wheezing conditions in children. Both methods of administration are equally efficacious. However, nebulization is more time consuming and has risk of side effects. Potential practice changes based on research evidence Metered dose inhaler would be recommended as the preferred of administration of albuterol in children with acute wheezing since it is easier to administer, takes less time in the process, can be given anywhere and has less side effects References Deerojanawong, J., Manuyakorn, W., Prapphal, N., Harnruthakorn, C., Sritippayawan, S., Samransamruajkit, R. (2005). Randomized controlled trial of salbutamol aerosol therapy via metered dose inhaler-spacer vs. jet nebulizer in young children with wheezing. Pediatr Pulmonol., 39(5), 466-72. Delgado, A., Chou, K.J., Silver, E.J., Crain, E.F. (2003). Nebulizers vs metered-dose inhalers with spacers for bronchodilator therapy to treat wheezing in children aged 2 to 24 months in a pediatric emergency department. Arch Pediatr Adolesc Med., 157(1), 76-80. Rodrigo, C., and Rodrigo, G. (1998). Salbutamol treatment of acute severe asthma in the ED: MDI versus hand-held nebulizer. Am J Emerg Med., 16(7),

Protective Equipment Is to Reduce Employee Exposure to Hazards Essay Example for Free

Protective Equipment Is to Reduce Employee Exposure to Hazards Essay Fire is the rapid oxidation of a material in the exothermic chemical process of combustion, releasing heat, light, and various reaction products.[1] Slower oxidative processes like rustingor digestion are not included by this definition. The flame is the visible portion of the fire. If hot enough, the gases may become ionized to produce plasma.[2] Depending on the substances alight, and any impurities outside, the colorof the flame and the fires intensity will be different. Fire in its most common form can result in conflagration, which has the potential to cause physical damage through burning. Fire is an important process that affects ecological systems across the globe. The positive effects of fire include stimulating growth and maintaining various ecological systems. Fire has been used by humans for cooking, generating heat, signaling, and propulsion purposes. The negative effects of fire include water contamination, soil erosion, atmospheric pollution and hazard to human and animal life.[3] | Fire Technology is a peer-reviewed academic journal publishing scientific research dealing with the full range of actual, possible, and potential fire hazards facing humans and the environment.[1] It publishes original contributions, both theoretical and empirical, that contribute to the solution of problems in fire safety and related fields. It is published bySpringer in conjunction with the National Fire Protection Association.[2] Arson[1] is the crime of intentionally and maliciously setting fire to buildings, wildlandareas,[2] cars[3][4] or other property with the intent to cause damage. It may be distinguished from other causes such as spontaneous combustion and natural wildfires. Arson often involves fires deliberately set to the property of another or to ones own property as to collect insurance compensation.[5] Heat In physics and chemistry, heat is energy transferred from one body to another by thermal interactions.[1][2] The transfer of energy can occur in a variety of ways, among them conduction,[3] radiation,[4] and convection. Heat is not a property of a system or body, but instead is always associated with a process of some kind, and is synonymous with heat flow and heat transfer. Heat flow from hotter to colder systems occurs spontaneously, and is always accompanied by an increase in entropy. In a heat engine, internal energy of bodies is harnessed to provide useful work. The second law of thermodynamicsprohibits heat flow directly from cold to hot systems, but with the aid of a heat pump external work can be used to transport internal energy indirectly from a cold to a hot body. Transfers of energy as heat are macroscopic processes. The origin and properties of heat can be understood through the statistical mechanics of microscopic constituents such as molecules and photons. For instance, heat flow can occur when the rapidly vibrating molecules in a high temperature body transfer some of their energy (by direct contact, radiation exchange, or other mechanisms) to the more slowly vibrating molecules in a lower temperature body. Oxygen is a chemical element with symbol O and atomic number 8. Its name derives from the Greek roots á ½â‚¬ÃŽ ¾Ã Ãâ€š (oxys) (acid, literally sharp, referring to the sour taste ofacids) and -ÃŽ ³ÃÅ'ÃŽ ½ÃŽ ¿Ãâ€š (-gÃŽ ¿nos) (producer, literally begetter), because at the time of naming, it was mistakenly thought that all acids required oxygen in their composition. Atstandard temperature and pressure, two atoms of the element bind to form dioxygen, a colorless, odorless, tasteless diatomic gas with the formula O2. This substance is an important part of the atmosphere, and is necessary to sustain most terrestrial life. A fire extinguisher, flame extinguisher, or simply an extinguisher, is an active fire protection device used to extinguish or control small fires, often in emergency situations. It is not intended for use on an out-of-control fire, such as one which has reached the ceiling, endangers the user (i.e., no escape route, smoke, explosion hazard, etc.), or otherwise requires the expertise of a fire department. Typically, a fire extinguisher consists of a hand-held cylindrical pressure vessel containing an agent which can be discharged to extinguish afire. Fire prevention is a function of many fire departments. The goal of fire prevention is to educate the public to take precautions to prevent potentially harmful fires, and be educated about surviving them. It is a proactive method of reducing emergencies and thedamage caused by them. Many fire departments have a Fire Prevention Officer.In the general sense of preventing harmful fires, many aspects are discussed in the articles Fire protect ion and Fire safety. Wildfire suppression refers to the firefighting tactics used to suppress wildfires. Firefighting efforts inwildland areas requires different techniques, equipment, and training from the more familiar structure firefighting found in populated areas. Working in conjunction with specially designed firefighting aircraft, these wildfire-trained crews suppress flames, construct firelines, and extinguish flames and areas of heat to protect resources and natural wilderness. Wildfire suppression also addresses the issues of the wildland-urban interface, where populated areas border with wildland areas. Firewall may refer to: * Firewall (construction), a barrier inside a building or vehicle, designed to limit the spread of fire, heat and structural collapse * Firewall (automobile), the part of the vehicle that separates the engine from the driver and passengers * Firewall (computing), a technological barrier designed to prevent unauthorized or unwanted communications between computer networks or hosts * Firewall (Physics), a blast of Hawking Radiation seen by a freely falling observer upon crossing the horizon of a black hole. Firetrap firetrap is a British clothing company, founded in 1991,[1] specialising in premium menswear and accessories. It is the main brand within the WDT company (World Design and Trade), which also owns its sister brand Fullcircle along with previous brands SC51 and Sonnetti. Firetrap is firmly established internationally and is sold in more than 30 countries[2] and 1,500 stores worldwide. There are eight stand-alone stores in the UK: a Covent Garden store in London and others in Belfast, Liverpool, Leeds, EdinburghWestfield[disambiguation needed], Sheffield Nottingham (2010).[3] The brand is a key player worldwide with a new store in Dubai and concessions throughout Europe including Italy, Germany and France. Conflagration A conflagration or a blaze is an uncontrolled burning that threatens human life, animal life, health, or property. A conflagration can be accidentally begun, naturally caused (wildfire), or intentionally created (arson). Arson can be accomplished for the purpose of sabotage or diversion, and also can be the consequence of pyromania. During conflagration the property is damaged or destroyed by fire. Sometimes the conflagration produces a firestorm, in which the central column of rising heated air induces strong inward winds, which supply oxygen to the fire. Conflagrations can result in casualties, deaths, or injuries from smoke inhalation orburns. Combustion Combustion (pron.: /kÉ™mˈbÊÅ's.tÊÆ'É™n/) or burning is the sequence of exothermic chemical reactions between a fuel and an oxidant accompanied by the production of heat and conversion of chemical species. The release of heat can produce light in the form of either glowing or aflame. Fuels of interest often include organic compounds (especially hydrocarbons) in the gas,liquid or solid phase. In a complete combustion reaction, a compound reacts with an oxidizing element, such asoxygen or fluorine, and the products are compounds of each element in the fuel with the oxidizing element. For example: CH4 + 2 O2 → CO2 + 2 H2O + energy A simple example can be seen in the combustion of hydrogen and oxygen, which is a commonly used reaction in rocket engines: 2 H2 + O2 → 2 H2O(g) + heat The result is water vapor. Complete combustion is almost impossible to achieve. In reality, as actual combustion reactions come to equilibrium, a wide variety of major and minor species will be present such as carbon monoxide and pure carbon (soot or ash). Additionally, any combustion in atmospheric air, which is 79 percent nitrogen, will also create several forms of nitrogen oxides. Fire point The fire point of a fuel is the temperature at which it will continue to burn for at least 5 seconds after ignition by an open flame. At theflash point, a lower temperature, a substance will ignite briefly, but vapor might not be produced at a rate to sustain the fire. Most tables of material properties will only list material flash points, but in general the fire points can be assumed to be about 10  °C higher than the flash points. However, this is no substitute for testing if the fire point is safety critical. Degree Celsius Celsius, also known as centigrade,[1] is a scale and unit of measurement for temperature. It is named after the Swedish astronomer Anders Celsius (1701–1744), who developed a similar temperature scale. The degree Celsius ( °C) can refer to a specific temperature on the Celsius scale as well as a unit to indicate a temperature interval, a difference between two temperatures or anuncertainty. The unit was known until 1948 as centigrade from the Latin centum translated as 100 and gradus translated as steps From 1743 until 1954, 0  °C was defined as the freezing point of water and 100  °C was defined as the boiling point of water, both at a pressure of one standard atmosphere with mercury being the working material. Although these defining correlations are commonly taught in schools today, by international agreement the unit degree Celsius and the Celsius scale are currently defined by two different temperatures: absolute zero, and the triple point of VSMOW (specially purifi ed water). This definition also precisely relates the Celsius scale to the Kelvin scale, which defines the SI base unit ofthermodynamic temperature with symbol K. Absolute zero, the lowest temperature possible at which matter reaches minimum entropy, is defined as being precisely 0 K and −273.15  °C. The temperature of the triple point of water is defined as precisely 273.16 K and 0.01  °C. This definition fixes the magnitude of both the degree Celsius and the kelvin as precisely 1 part in 273.16 (approximately 0.00366) of the difference between absolute zero and the triple point of water. Thus, it sets the magnitude of one degree Celsius and that of one kelvin as exactly the same. Additionally, it establishes the difference between the two scales null points as being precisely 273.15 degrees Celsius (−273.15  °C = 0 K and 0  °C = 273.15 K).[3] Fahrenheit Fahrenheit (symbol  °F) is a temperature scale based on one proposed in 1724 by, and named after, the physicist Daniel Gabriel Fahrenheit (1686–1736).[1] Within this scale, the freezing of water into ice is defined at 32 degrees, while the boiling point of water is defined to be 212 degrees on Fahrenheits original scale the freezing point of brine was zero degrees. The Fahrenheit scale was replaced by the Celsius scale in most countries during the mid to late 20th century, though Canada retains it as a supplementary scale that can be used alongside Celsius.[2][3][4][5] Fahrenheit remains the official scale of the United States,Cayman Islands, Palau, Bahamas and Belize.[6] The Rankine temperature scale was based upon the Fahrenheit temperature scale, with its zero representing absolute zero instead. Personal protective equipment Personal protective equipment (PPE) refers to protective clothing, helmets, goggles, or other garments or equipment designed to protect the wearers body from injury. The hazards addressed by protective equipment include physical, electrical, heat, chemicals, biohazards, and airborne particulate matter. Protective equipment may be worn for job-relatedoccupational safety and health purposes, as well as for sports and other recreational activities. Protective clothing is applied to traditional categories of clothing, and protective gear applies to items such as pads, guards, shields, or masks, and others. The purpose of personal protective equipment is to reduce employee exposure to hazards when engineering and administrative controls are not feasible or effective to reduce these risks to acceptable levels. PPE is needed when there are hazards present. PPE has the serious limitation that it does not eliminate the hazard at source and may result in employees being exposed to the hazard i f the equipment fails.[1]

Orlando Furioso Clarifies Vergil’s Ending in The Aeneid Essay -- Orlan

Orlando Furioso Clarifies Vergil’s Ending in The Aeneid  Ã‚     Ã‚  Ã‚   Ariosto adapts and transforms Vergil’s final episode of The Aeneid into his own conclusion in Orlando Furioso. The final scenes in the epics parallel one another in many ways, yet also show distinct differences. Ruggiero and Rodomont represent Aeneas and Turnus, respectively, and the actions of Ariosto’s characters can be interchanged with their corresponding characters’ acts in The Aeneid. Ariosto reminds us of controversy and questions that Vergil elicits in his conclusion and responds interpretively, reshaping the ending and clarifying ambiguities. Does Vergil intend to write such an abrupt, controversial ending? Some critics suggest that Vergil meant to complete the story with a more upbeat, joyous tone, but he died before he completed task. They propose a Book XIII that incorporates a large ceremonial marriage between Aeneas and Lavinia into the story as a "happy" ending. Others insinuate that Vergil purposefully concludes the heroic poem to leave questions for readers. Ariosto incorporates a vast, joyful wedding between Ruggiero and Bradamant into his novel before mimicking Vergil’s ending; he argues that Vergil intended to end where he did. Even though we often yearn to read a "happy" ending, an abrupt, controversial ending provokes more contemplation. Ariosto suggests that Vergil planned to arouse his readers’ minds, and not satisfy their common desire for a "happy" ending, by introducing discord. Does Turnus pose a threat? From one point of view, Aeneas seems to always have the military upper hand, and Turnus seems physically inferior, thus not threatening. However, from a different perspective Turnus is deceptive, thus menacing. When he thinks h... ...this act to remind us how brutal Aeneas is when he kills without hesitation. Ariosto addresses the multiple ambiguities Vergil leaves behind. He indicates that a "happy" ending is not always required to please readers and transforms Vergil’s controversial ending into a straightforward conclusion by adapting Rodomont’s character to Turnus and Ruggiero’s character to Aeneas. When the hero’s foe poses a threat and proves capable of defending himself, we do not feel sorry for his death because the hero obviously must kill to defend his own life. We find comfort in Vergil’s ending by superimposing these interpretations and corrections by Ariosto into The Aeneid. Works Cited Waldman, Guido, trans. Orlando Furioso. By Ludovico Ariosto. New York: Oxford University Press, 1983. Fitzgerald, Robert, trans. The Aeneid. By Vergil. New York: Random House, 1983.   

The Twilight Saga 3: Eclipse Chapter 24. SNAP DECISION

I LAY FACEDOWN ACROSS THE SLEEPING BAG, WAITING for justice to find me. Maybe an avalanche would bury me here. I wished it would. I never wanted to have to see my face in the mirror again. There was no sound to warn me. Out of nowhere, Edward's cold hand stroked against my knotted hair. I shuddered guiltily at his touch. â€Å"Are you all right?† he murmured, his voice anxious. â€Å"No. I want to die.† â€Å"That will never happen. I won't allow it.† I groaned and then whispered, â€Å"You might change your mind about that.† â€Å"Where's Jacob?† â€Å"He went to fight,† I mumbled into the floor. Jacob had left the little camp joyfully – with a cheerful â€Å"I'll be right back† – running full tilt for the clearing, already quivering as he prepared to shift to his other self. By now the whole pack knew everything. Seth Clearwater, pacing outside the tent, was an intimate witness to my disgrace. Edward was silent for a long moment. â€Å"Oh,† he finally said. The tone of his voice worried me that my avalanche wasn't coming fast enough. I peeked up at him and, sure enough, his eyes were unfocused as he listened to something I'd rather die than have him hear. I dropped my face back to the floor. It stunned me when Edward chuckled reluctantly. â€Å"And I thought I fought dirty,† he said with grudging admiration. â€Å"He makes me look like the patron saint of ethics.† His hand brushed against the part of my cheek that was exposed. â€Å"I'm not mad at you, love. Jacob's more cunning than I gave him credit for. I do wish you hadn't asked him, though.† â€Å"Edward,† I whispered to the rough nylon. â€Å"I . . . I . . . I'm -â€Å" â€Å"Shh,† he hushed me, his fingers soothing against my cheek. â€Å"That's not what I meant. It's just that he would have kissed you anyway – even if you hadn't fallen for it – and now I don't have an excuse to break his face. I would have really enjoyed that, too.† â€Å"Fallen for it?† I mumbled almost incomprehensibly. â€Å"Bella, did you really believe he was that noble? That he would go out in a flame of glory just to clear the way for me?† I raised my head slowly to meet his patient gaze. His expression was soft; his eyes were full of understanding rather than the revulsion I deserved to see. â€Å"Yes, I did believe that,† I muttered, and then looked away. But I didn't feel any anger at Jacob for tricking me. There wasn't enough room in my body to contain anything besides the hatred I felt toward myself. Edward laughed softly again. â€Å"You're such a bad liar, you'll believe anyone who has the least bit of skill.† â€Å"Why aren't you angry with me?† I whispered. â€Å"Why don't you hate me? Or haven't you heard the whole story yet?† â€Å"I think I got a fairly comprehensive look,† he said in a light, easy voice. â€Å"Jacob makes vivid mental pictures. I feel almost as bad for his pack as I do for myself. Poor Seth was getting nauseated. But Sam is making Jacob focus now.† I closed my eyes and shook my head in agony. The sharp nylon fibers of the tent floor scraped against my skin. â€Å"You're only human,† he whispered, stroking my hair again. â€Å"That's the most miserable defense I've ever heard.† â€Å"But you are human, Bella. And, as much as I might wish otherwise, so is he. . . . There are holes in your life that I can't fill. I understand that.† â€Å"But that's not true. That's what makes me so horrible. There are no holes.† â€Å"You love him,† he murmured gently. Every cell in my body ached to deny it. â€Å"I love you more,† I said. It was the best I could do. â€Å"Yes, I know that, too. But . . . when I left you, Bella, I left you bleeding. Jacob was the one to stitch you back up again. That was bound to leave its mark – on both of you. I'm not sure those kinds of stitches dissolve on their own. I can't blame either of you for something I made necessary. I may gain forgiveness, but that doesn't let me escape the consequences.† â€Å"I should have known you'd find some way to blame yourself. Please stop. I can't stand it.† â€Å"What would you like me to say?† â€Å"I want you to call me every bad name you can think of, in every language you know. I want you to tell me that you're disgusted with me and that you're going to leave so that I can beg and grovel on my knees for you to stay.† â€Å"I'm sorry.† He sighed. â€Å"I can't do that.† â€Å"At least stop trying to make me feel better. Let me suffer. I deserve it.† â€Å"No,† he murmured. I nodded slowly. â€Å"You're right. Keep on being too understanding. That's probably worse.† He was silent for a moment, and I sensed a charge in the atmosphere, a new urgency. â€Å"It's getting close,† I stated. â€Å"Yes, a few more minutes now. Just enough time to say one more thing. . . .† I waited. When he finally spoke again, he was whispering. â€Å"I can be noble, Bella. I'm not going to make you choose between us. Just be happy, and you can have whatever part of me you want, or none at all, if that's better. Don't let any debt you feel you owe me influence your decision.† I pushed off the floor, shoving myself up onto my knees. â€Å"Dammit, stop that!† I shouted at him. His eyes widened in surprise. â€Å"No – you don't understand. I'm not just trying to make you feel better, Bella, I really mean it.† â€Å"I know you do,† I groaned. â€Å"What happened to fighting back? Don't start with the noble self-sacrifice now! Fight!† â€Å"How?† he asked, and his eyes were ancient with their sadness. I scrambled into his lap, throwing my arms around him. â€Å"I don't care that it's cold here. I don't care that I stink like a dog right now. Make me forget how awful I am. Make me forget him. Make me forget my own name. Fight back!† I didn't wait for him to decide – or to have the chance to tell me he wasn't interested in a cruel, faithless monster like me. I pulled myself against him and crushed my mouth to his snow-cold lips. â€Å"Careful, love,† he murmured under my urgent kiss. â€Å"No,† I growled. He gently pushed my face a few inches back. â€Å"You don't have to prove anything to me.† â€Å"I'm not trying to prove something. You said I could have any part of you I wanted. I want this part. I want every part.† I wrapped my arms around his neck and strained to reach his lips. He bent his head to kiss me back, but his cool mouth was hesitant as my impatience grew more pronounced. My body was making my intentions clear, giving me away. Inevitably, his hands moved to restrain me. â€Å"Perhaps this isn't the best moment for that,† he suggested, too calm for my liking. â€Å"Why not?† I grumbled. There was no point in fighting if he was going to be rational; I dropped my arms. â€Å"Firstly, because it is cold.† He reached out to pull the sleeping bag off the floor; he wrapped it around me like a blanket. â€Å"Wrong,† I said. â€Å"First, because you are bizarrely moral for a vampire.† He chuckled. â€Å"All right, I'll give you that. The cold is second. And thirdly . . . well, you do actually stink, love.† He wrinkled his nose. I sighed. â€Å"Fourthly,† he murmured, dropping his face so that he was whispering in my ear. â€Å"We will try, Bella. I'll make good on my promise. But I'd much rather it wasn't in reaction to Jacob Black.† I cringed, and buried my face against his shoulder. â€Å"And fifthly . . .† â€Å"This is a very long list,† I muttered. He laughed. â€Å"Yes, but did you want to listen to the fight or not?† As he spoke, Seth howled stridently outside the tent. My body stiffened to the sound. I didn't realize my left hand was clenched into a fist, nails biting into my bandaged palm, until Edward took it and gently smoothed my fingers out. â€Å"It's going to be fine, Bella,† he promised. â€Å"We've got skill, training, and surprise on our side. It will be over very soon. If I didn't truly believe that, I would be down there now – and you'd be here, chained to a tree or something along those lines.† â€Å"Alice is so small,† I moaned. He chuckled. â€Å"That might be a problem . . . if it were possible for someone to catch her.† Seth started to whimper. â€Å"What's wrong?† I demanded. â€Å"He's just angry that he's stuck here with us. He knows the pack kept him out of the action to protect him. He's salivating to join them.† I scowled in Seth's general direction. â€Å"The newborns have reached the end of the trail – it worked like a charm, Jasper's a genius – and they've caught the scent of the ones in the meadow, so they're splitting into two groups now, as Alice said,† Edward murmured, his eyes focused on something far away. â€Å"Sam's taking us around to head off the ambush party.† He was so intent on what he was hearing that he used the pack plural. Suddenly he looked down at me. â€Å"Breathe, Bella.† I struggled to do what he asked. I could hear Seth's heavy panting just outside the tent wall, and I tried to keep my lungs on the same even pace, so that I wouldn't hyperventilate. â€Å"The first group is in the clearing. We can hear the fighting.† My teeth locked together. He laughed once. â€Å"We can hear Emmett – he's enjoying himself.† I made myself take another breath with Seth. â€Å"The second group is getting ready – they aren't paying attention, they haven't heard us yet.† Edward growled. â€Å"What?† I gasped. â€Å"They're talking about you.† His teeth clenched together. â€Å"They're supposed to make sure you don't escape. . . . Nice move, Leah! Mmm, she's quite fast,† he murmured in approval. â€Å"One of the newborns caught our scent, and Leah took him down before he could even turn. Sam's helping her finish him off. Paul and Jacob got another one, but the others are on the defensive now. They have no idea what to make of us. Both sides are feinting. . . . No, let Sam lead. Stay out of the way,† he muttered. â€Å"Separate them – don't let them protect each other's backs.† Seth whined. â€Å"That's better, drive them toward the clearing,† Edward approved. His body was shifting unconsciously as he watched, tensing for moves he would have made. His hands still held mine; I twisted my fingers through his. At least he wasn't down there. The sudden absence of sound was the only warning. The deep rush of Seth's breathing cut off, and – as I'd paced my breaths with his – I noticed. I stopped breathing, too – too frightened to even make mylungs work as I realized that Edward had frozen into a block of ice beside me. Oh, no. No. No. Who had been lost? Theirs or ours? Mine, all mine. What was my loss? So quickly that I wasn't exactly sure how it happened, I was on my feet and the tent was collapsing in ragged shreds around me. Had Edward ripped our way out? Why? I blinked, shocked, into the brilliant light. Seth was all I could see, right beside us, his face only six inches from Edward's. They stared at each other with absolute concentration for one infinite second. The sun shattered off Edward's skin and sent sparkles dancing across Seth's fur. And then Edward whispered urgently, â€Å"Go, Seth!† The huge wolf wheeled and disappeared into the forest shadows. Had two entire seconds passed? It felt like hours. I was terrified to the point of nausea by the knowledge that something horrible had gone awry in the clearing. I opened my mouth to demand that Edward take me there, and do it now. They needed him, and they needed me. If I had to bleed to save them, I would do it. I would die to do it, like the third wife. I had no silver dagger in my hand, but I would find a way – Before I could get the first syllable out, I felt as if I was being flung through the air. But Edward's hands never let go of me – I was only being moved, so quickly that the sensation was like falling sideways. I found myself with my back pressed against the sheer cliff face. Edward stood in front of me, holding a posture that I knew at once. Relief washed through my mind at the same time that my stomach dropped through the soles of my feet. I'd misunderstood. Relief – nothing had gone wrong in the clearing. Horror – the crisis was here. Edward held a defensive position – half-crouched, his arms extended slightly – that I recognized with sickening certainty. The rock at my back could have been the ancient brick walls of the Italian alley where he had stood between me and the black-cloaked Volturi warriors. Something was coming for us. â€Å"Who?† I whispered. The words came through his teeth in a snarl that was louder than I expected. Too loud. It meant that it was far too late to hide. We were trapped, and it didn't matter who heard his answer. â€Å"Victoria,† he said, spitting the word, making it a curse. â€Å"She's not alone. She crossed my scent, following the newborns in to watch – she never meant to fight with them. She made a spur-of-the-moment decision to find me, guessing that you would be wherever I was. She was right. You were right. It was always Victoria.† She was close enough that he could hear her thoughts. Relief again. If it had been the Volturi, we were both dead. But with Victoria, it didn't have to be both. Edward could survive this. He was a good fighter, as good as Jasper. If she didn't bring too many others, he could fight his way out, back to his family. Edward was faster than anyone. He could make it. I was so glad he'd sent Seth away. Of course, there was no one Seth could run to for help. Victoria had timed her decision perfectly. But at least Seth was safe; I couldn't see the huge sandy wolf in my head when I thought his name – just the gangly fifteen-year-old boy. Edward's body shifted – only infinitesimally, but it told me where to look. I stared at the black shadows of the forest. It was like having my nightmares walk forward to greet me. Two vampires edged slowly into the small opening of our camp, eyes intent, missing nothing. They glistened like diamonds in the sun. I could barely look at the blond boy – yes, he was just a boy, though he was muscular and tall, maybe my age when he was changed. His eyes – a more vivid red than I had ever seen before – could not hold mine. Though he was closest to Edward, the nearest danger, I could not watch him. Because, a few feet to the side and a few feet back, Victoria was staring at me. Her orange hair was brighter than I'd remembered, more like a flame. There was no wind here, but the fire around her face seemed to shimmer slightly, as if it were alive. Her eyes were black with thirst. She did not smile, as she always had in my nightmares – her lips were pressed into a tight line. There was a striking feline quality to the way she held her coiled body, a lioness waiting for an opening to spring. Her restless, wild gaze flickered between Edward and me, but never rested on him for more than a half-second. She could not keep her eyes from my face any more than I could keep mine from hers. Tension rolled off of her, nearly visible in the air. I could feel the desire, the all-consuming passion that held her in its grip. Almost as if I could hear her thoughts, too, I knew what she was thinking. She was so close to what she wanted – the focus of her whole existence for more than a year now was just so close. My death. Her plan was as obvious as it was practical. The big blond boy would attack Edward. As soon as Edward was sufficiently distracted, Victoria would finish me. It would be quick – she had no time for games here – but it would be thorough. Something that it would be impossible to recover from. Something that even vampire venom could not repair. She'd have to stop my heart. Perhaps a hand shoved through my chest, crushing it. Something along those lines. My heart beat furiously, loudly, as if to make her target more obvious. An immense distance away, from far across the black forest, a wolf's howl echoed in the still air. With Seth gone, there was no way to interpret the sound. The blond boy looked at Victoria from the corner of his eye, waiting on her command. He was young in more ways than one. I guessed from his brilliant crimson irises that he couldn't have been a vampire for very long. He would be strong, but inept. Edward would know how to fight him. Edward would survive. Victoria jerked her chin toward Edward, wordlessly ordering the boy forward. â€Å"Riley,† Edward said in a soft, pleading voice. The blond boy froze, his red eyes widening. â€Å"She's lying to you, Riley,† Edward told him. â€Å"Listen to me. She's lying to you just like she lied to the others who are dying now in the clearing. You know that she's lied to them, that she had you lie to them, that neither of you were ever going to help them. Is it so hard to believe that she's lied to you, too?† Confusion swept across Riley's face. Edward shifted a few inches to the side, and Riley automatically compensated with an adjustment of his own. â€Å"She doesn't love you, Riley.† Edward's soft voice was compelling, almost hypnotic. â€Å"She never has. She loved someone named James, and you're no more than a tool to her.† When he said James's name, Victoria's lips pulled back in a teeth-baring grimace. Her eyes stayed locked on me. Riley cast a frantic glance in her direction. â€Å"Riley?† Edward said. Riley automatically refocused on Edward. â€Å"She knows that I will kill you, Riley. She wants you to die so that she doesn't have to keep up the pretense anymore. Yes – you've seen that, haven't you? You've read the reluctance in her eyes, suspected a false note in her promises. You were right. She's never wanted you. Every kiss, every touch was a lie.† Edward moved again, moved a few inches toward the boy, a few inches away from me. Victoria's gaze zeroed in on the gap between us. It would take her less than a second to kill me – she only needed the tiniest margin of opportunity. Slower this time, Riley repositioned himself. â€Å"You don't have to die,† Edward promised, his eyes holding the boy's. â€Å"There are other ways to live than the way she's shown you. It's not all lies and blood, Riley. You can walk away right now. You don't have to die for her lies.† Edward slid his feet forward and to the side. There was a foot of space between us now. Riley circled too far, overcompensating this time. Victoria leaned forward onto the balls of her feet. â€Å"Last chance, Riley,† Edward whispered. Riley's face was desperate as he looked to Victoria for answers. â€Å"He's the liar, Riley,† Victoria said, and my mouth fell open in shock at the sound of her voice. â€Å"I told you about their mind tricks. You know I love only you.† Her voice was not the strong, wild, catlike growl I would have put with her face and stance. It was soft, it was high – a babyish, soprano tinkling. The kind of voice that went with blond curls and pink bubble gum. It made no sense coming through her bared, glistening teeth. Riley's jaw tightened, and he squared his shoulders. His eyes emptied – there was no more confusion, no more suspicion. There was no thought at all. He tensed himself to attack. Victoria's body seemed to be trembling, she was so tightly wound. Her fingers were ready claws, waiting for Edward to move just one more inch away from me. The snarl came from none of them. A mammoth tan shape flew through the center of the opening, throwing Riley to the ground. â€Å"No!† Victoria cried, her baby voice shrill with disbelief. A yard and a half in front of me, the huge wolf ripped and tore at the blond vampire beneath him. Something white and hard smacked into the rocks by my feet. I cringed away from it. Victoria did not spare one glance for the boy she'd just pledged her love to. Her eyes were still on me, filled with a disappointment so ferocious that she looked deranged. â€Å"No,† she said again, through her teeth, as Edward started to move toward her, blocking her path to me. Riley was on his feet again, looking misshapen and haggard, but he was able to fling a vicious kick into Seth's shoulder. I heard the bone crunch. Seth backed off and started to circle, limping. Riley had his arms out, ready, though he seemed to be missing part of one hand. . . . Only a few yards away from that fight, Edward and Victoria were dancing. Not quite circling, because Edward was not allowing her to position herself closer to me. She sashayed back, moving from side to side, trying to find a hole in his defense. He shadowed her footwork lithely, stalking her with perfect concentration. He began to move just a fraction of a second before she moved, reading her intentions in her thoughts. Seth lunged at Riley from the side, and something tore with a hideous, grating screech. Another heavy white chunk flew into the forest with a thud. Riley roared in fury, and Seth skipped back – amazingly light on his feet for his size – as Riley took a swipe at him with one mangled hand. Victoria was weaving through the tree trunks at the far end of the little opening now. She was torn, her feet pulling her toward safety while her eyes yearned toward me as if I were a magnet, reeling her in. I could see the burning desire to kill warring with her survival instinct. Edward could see that, too. â€Å"Don't go, Victoria,† he murmured in that same hypnotic tone as before. â€Å"You'll never get another chance like this.† She showed her teeth and hissed at him, but she seemed unable to move farther away from me. â€Å"You can always run later,† Edward purred. â€Å"Plenty of time for that. It's what you do, isn't it? It's why James kept you around. Useful, if you like to play deadly games. A partner with an uncanny instinct for escaping. He shouldn't have left you – he could have used your skills when we caught up to him in Phoenix.† A snarl ripped from between her lips. â€Å"That's all you ever were to him, though. Silly to waste so much energy avenging someone who had less affection for you than a hunter for his mount. You were never more than a convenience to him. I would know.† Edward's lips pulled up on one side as he tapped his temple. With a strangled screech, Victoria darted out of the trees again, feinting to the side. Edward responded, and the dance began again. Just then, Riley's fist caught Seth's flank, and a low yelp coughed out of Seth's throat. Seth backed away, his shoulders twitching as if he were trying to shake off the pain. Please, I wanted to plead with Riley, but I couldn't find the muscles to make my mouth open, to pull the air up from my lungs. Please, he's just a child! Why hadn't Seth run away? Why didn't he run now? Riley was closing the distance between them again, driving Seth toward the cliff face beside me. Victoria was suddenly interested in her partner's fate. I could see her, from the corner of her eyes, judge the distance between Riley and me. Seth snapped at Riley, forcing him back again, and Victoria hissed. Seth wasn't limping anymore. His circling took him within inches of Edward; his tail brushed Edward's back, and Victoria's eyes bulged. â€Å"No, he won't turn on me,† Edward said, answering the question in Victoria's head. He used her distraction to slide closer. â€Å"You provided us with a common enemy. You allied us.† She clenched her teeth, trying to keep her focus on Edward alone. â€Å"Look more closely, Victoria,† he murmured, pulling at the threads of her concentration. â€Å"Is he really so much like the monster James tracked across Siberia?† Her eyes popped wide open, and then began flickering wildly from Edward to Seth to me, around and around. â€Å"Not the same?† she snarled in her little girl's soprano. â€Å"Impossible!† â€Å"Nothing is impossible,† Edward murmured, voice velvet soft as he moved another inch closer to her. â€Å"Except what you want. You'll never touch her.† She shook her head, fast and jerky, fighting his diversions, and tried to duck around him, but he was in place to block her as soon as she'd thought of the plan. Her face contorted in frustration, and then she shifted lower into her crouch, a lioness again, and stalked deliberately forward. Victoria was no inexperienced, instinct-driven newborn. She was lethal. Even I could tell the difference between her and Riley, and I knew that Seth wouldn't have lasted so long if he'd been fighting this vampire. Edward shifted, too, as they closed on each other, and it was lion versus lioness. The dance increased in tempo. It was like Alice and Jasper in the meadow, a blurred spiraling of movement, only this dance was not as perfectly choreographed. Sharp crunches and crackings reverberated off the cliff face whenever someone slipped in their formation. But they were moving too fast for me to see who was making the mistakes. . . . Riley was distracted by the violent ballet, his eyes anxious for his partner. Seth struck, crunching off another small piece of the vampire. Riley bellowed and launched a massive backhanded blow that caught Seth full in his broad chest. Seth's huge body soared ten feet and crashed into the rocky wall over my head with a force that seemed to shake the whole peak. I heard the breath whoosh from his lungs, and I ducked out of the way as he rebounded off the stone and collapsed on the ground a few feet in front of me. A low whimper escaped through Seth's teeth. Sharp fragments of gray stone showered down on my head, scratching my exposed skin. A jagged spike of rock rolled down my right arm and I caught it reflexively. My fingers clenched around the long shard as my own survival instincts kicked in; since there was no chance of flight, my body – not caring how ineffectual the gesture was – prepared for a fight. Adrenaline jolted through my veins. I knew the brace was cutting into my palm. I knew the crack in my knuckle was protesting. I knew it, but I could not feel the pain. Behind Riley, all I could see was the twisting flame of Victoria's hair and a blur of white. The increasingly frequent metallic snaps and tears, the gasps and shocked hissings, made it clear that the dance was turning deadly for someone. But which someone? Riley lurched toward me, his red eyes brilliant with fury. He glared at the limp mountain of sand-colored fur between us, and his hands – mangled, broken hands – curled into talons. His mouth opened, widened, his teeth glistening, as he prepared to rip out Seth's throat. A second kick of adrenaline hit like an electric shock, and everything was suddenly very clear. Both fights were too close. Seth was about to lose his, and I had no idea if Edward was winning or losing. They needed help. A distraction. Something to give them an edge. My hand gripped the stone spike so tightly that a support in the brace snapped. Was I strong enough? Was I brave enough? How hard could I shove the rough stone into my body? Would this buy Seth enough time to get back on his feet? Would he heal fast enough for my sacrifice to do him any good? I raked the point of the shard up my arm, yanking my thick sweater back to expose the skin, and then pressed the sharp tip to the crease at my elbow. I already had a long scar there from my last birthday. That night, my flowing blood had been enough to catch every vampire's attention, to freeze them all in place for an instant. I prayed it would work that way again. I steeled myself and sucked in one deep breath. Victoria was distracted by the sound of my gasp. Her eyes, holding still for one tiny portion of a second, met mine. Fury and curiosity mingled strangely in her expression. I wasn't sure how I heard the low sound with all the other noises echoing off the stone wall and hammering inside my head. My own heartbeat should have been enough to drown it out. But, in the split second that I stared into Victoria's eyes, I thought I heard a familiar, exasperated sigh. In that same short second, the dance broke violently apart. It happened so quickly that it was over before I could follow the sequence of events. I tried to catch up in my head. Victoria had flown out of the blurred formation and smashed into a tall spruce about halfway up the tree. She dropped back to the earth already crouched to spring. Simultaneously, Edward – all but invisible with speed – had twisted backward and caught the unsuspecting Riley by the arm. It had looked like Edward planted his foot against Riley's back, and heaved – The little campsite was filled with Riley's piercing shriek of agony. At the same time, Seth leaped to his feet, cutting off most of my view. But I could still see Victoria. And, though she looked oddly deformed – as if she were unable to straighten up completely – I could see the smile I'd been dreaming of flash across her wild face. She coiled and sprang. Something small and white whistled through the air and collided with her mid-flight. The impact sounded like an explosion, and it threw her against another tree – this one snapped in half. She landed on her feet again, crouched and ready, but Edward was already in place. Relief swelled in my heart when I saw that he stood straight and perfect. Victoria kicked something aside with a flick of her bare foot – the missile that had crippled her attack. It rolled toward me, and I realized what it was. My stomach lurched. The fingers were still twitching; grasping at blades of grass, Riley's arm began to drag itself mindlessly across the ground. Seth was circling Riley again, and now Riley was retreating. He backed away from the advancing werewolf, his face rigid with pain. He raised his one arm defensively. Seth rushed Riley, and the vampire was clearly off-balance. I saw Seth sink his teeth into Riley's shoulder and tear, jumping back again. With an earsplitting metallic screech, Riley lost his other arm. Seth shook his head, flinging the arm into the woods. The broken hissing noise that came through Seth's teeth sounded like snickering. Riley screamed out a tortured plea. â€Å"Victoria!† Victoria did not even flinch to the sound of her name. Her eyes did not flicker once toward her partner. Seth launched himself forward with the force of a wrecking ball. The thrust carried both Seth and Riley into the trees, where the metallic screeching was matched by Riley's screams. Screams that abruptly cut off, while the sounds of rock being ripped to shreds continued. Though she spared Riley no farewell glance, Victoria seemed to realize that she was on her own. She began to back away from Edward, frenzied disappointment blazing in her eyes. She threw me one short, agonized stare of longing, and then she started to retreat faster. â€Å"No,† Edward crooned, his voice seductive. â€Å"Stay just a little longer.† She wheeled and flew toward the refuge of the forest like an arrow from a bow. But Edward was faster – a bullet from a gun. He caught her unprotected back at the edge of the trees and, with one last, simple step, the dance was over. Edward's mouth brushed once across her neck, like a caress. The squealing clamor coming from Seth's efforts covered every other noise, so there was no discernible sound to make the image one of violence. He could have been kissing her. And then the fiery tangle of hair was no longer connected to the rest of her body. The shivering orange waves fell to the ground, and bounced once before rolling toward the trees.

Community Within Maycomb Essay

So often in a society we are misled at the actual courageous and uncourageous acts that are done amongst a society. Most of the time it is usually because we have our own perception that a society is emulated from the way someone may act or the lineage and community in which some are born into. In To Kill a Mockingbird, Harper Lee shows the strengths and weaknesses of a community through the white community, black community, and lastly the community within a family. Though there is much strength in a White community, like holding their values high, there are also weaknesses like being racist toward the â€Å"Blacks. For instance Jem points out a weakness in the White community when he tells Scout, â€Å"They’re real sad†¦ They don’t belong anywhere. Colored folks won’t have ‘em because they’re half white; white folks won’t have ‘em cause they’re colored, so they’re just in-between, don’t belong anywhere. † Back during the 1930’s interracial marriage was unheard of and if it was it was thought of as impure or inadequate therefore disregarded. Experts Joyce Moss and Gorge Wilson say, â€Å"†¦ Racial relations where complicated by various restrictions in the 1930’s. Breaking the taboo against sexual intercourse between a black man and a white woman was considered by most whites and some blacks†¦ most serious offence. This kind of miscegenation would ‘taint’ racial purity. † This then re-states the negativity of racism during the time of Maycomb in the White community. Despite of Macomb’s racist perspectives they also share very important morals between their communities. Atticus Finch shares with Scout,† you never really understand a person until you consider things from his [or her] point of view†¦ ntil you climb inside of his skin and walk around in it. †(Chapter 3) This excerpt shows how high Atticus being from the White community, keeps his standards and beliefs held high so that he may be looked up as Macomb’s role model. In conclusion this states, though Maycomb may struggle with some things that still to this very day affect us as a community, Maycomb is also showing how it is to be keeping their morals in mind. From the outside looking in it may seem as though the Black community has no strength despite the fact there is. During the time period the Blacks had no problem with helping one another. If one didn’t know the other one knew and they assisted one another. During church scout asks â€Å"How we gonna sing [the songs] if their aint any hymn books? † â€Å"[Zebo cleared his throat and read in a voice†¦ ]. We tend to always focus on the main idea but this tiny detail helps the Blacks unite with each other because they are able to participate in activities like sing in church by just being able to work with each other to read the hymnal and be a religious community. Scout being from the White community she doesn’t understand the ways of the â€Å"blacks† and how they choose to be one. KJ The book girl states, â€Å"The black community as a whole is a very close congregation, as it has to be to survive the harsh treatment by the white community†¦Ã¢â‚¬  Because the Blacks have been kind of segregated by the White community, it has taught them to become and be closer. In difference to the negative conversations that go on in the Black community as well. You ain’t got no business bringin’ white chillun here—they got their church, we got our’n. It is our church, ain’t it, Miss Cal? † said Lula. This is the first time Jem and Scout experience direct racism which is usually never heard of because they are white. This makes them in a real uncomfortable position in which they have never been. The weakness in the Black community is they are racist back and don’t want to make a difference well most of them anyway. Even though Lula is from the black community she is prejudice towards the whites. This is a weakness in the black community though they help one another they don’t realize how to be the bigger person in the sense of acting with dignity and not stooping and lowering you self to discriminate against different raced people. There are much strength as well as many weaknesses within the kinship of a Family community. Atticus instills within his kids that, â€Å"I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin, but you begin anyway. † A Review of General Semantics says that,† Atticus agrees to defend a black man named Tom Robinson who has been accused of [a heinous crime] raping Mayella Ewell a white woman. During the trial, Atticus provides sufficient evidence†¦ if fact provides that Mayella’s father Bob[Ewell] is responsible for marks on her face†¦ however the all-white jury convicts Tom[Robinson] away†¦Ã¢â‚¬  Action speaks louder than words have always been the saying for a society especially when parents say it. Atticus is teaching his kids the moral of standing up for what is right and to have full courage when doing so. He defends Tom Robinson to not only prove that this man has done nothing wrong but also to teach his kids the moral of standing up for what you believe in and having courage to do so is far more meaning full than feeling powerful verse feeling courageous for doing the right thing. In contrast to the benefits of a positive family community. In contrast to a positive family environment Robert also know as Bob Ewell, is determined to have a black man imprisoned for a crime that he has not committed. Atticus, while on the trial with Mayella Ewell Atticus asks her, â€Å"Why don’t you tell the truth, child, didn’t Bob Ewell beat you up? † Bob Ewell being a horrifying father has done a crime that if people knew what he has done the community would probably never speak to or even regard him again. He has raped and beaten his own flesh and blood. The inhumanity that he possesses within his family as the head of the house hold is unfathomable.

The Bridges Of Madison County essays

The Bridges Of Madison County essays The Bridges of Madison County, by Robert James Waller, is about two individuals, Francesca Johnson and Robert Kincaid, who are madly in-love but unfortunately could not be together. The main theme of the novel is the value of the people who you truly love is worth more than a selfish romance. Francesca Johnson is a loving wife, of Richard Johnson, and a mother of two children, Michael and Carolyn Johnson. One day, Robert Kincaid, a photographer for National Geographic, stopped to a calm house for direction on a bridge he can not locate. Francesca Johnson happened to be in her front porch and helped the man. She fell madly in-love with Robert Kincaid. As the story goes on and as Robert nears to his departure from Madison County; before Richard and her two kids comes back home, Francesca must decide if she should go with Robert or not. Francesca was prudent about love. She knows she can only pick one out of two to love, her family or Robert Kincaid. She wanted to go with Robert, however, she thinks about her family too much. She would know how they would feel; they would feel betrayed and most importantly, devastated. Her husband, Richard, would have to live with the embarrassment that his wife left him with a photographer and the pain he could not possibly bear. However, if she would have left with Robert Kincaid, she would be really happy. The way that Robert loved her and the attention that she was getting from him made her feel this way for the first time in a long time; passionate, devoted, and respected. She wanted to make the right decision and not hurt her family, but then again, she is not really happy. Francesca Johnson loved Robert Kincaid, however, she did not go with him when he asked her. The main reason was that she wanted her family to be happy. She felt guilty and did not want to destroy their feelings. If she would have came with Robert Kincaid, her guilt would have haunted her because of the fact that sh ...

Are immigrants needed to provide low-wage workers in the U.S. to Essay

Are immigrants needed to provide low-wage workers in the U.S. to compete with workers in other regions of the world Do immigran - Essay Example This is not to say that these immigrants provide better quality jobs than the natives of the country as the reverse is usually the case. It could then be concluded in this regard that, the low-wage working immigrants in the US are not needed to compete with workers in other regions of the world but to meet up with the high demand of work in the country at a lower rate (Holzer, 2011). Immigrants take on low-paying work that people in the US do not want to do and the reasons for these are not far-fetched. Due to the need to make ends meet and the desire of the immigrants to get to do something during their sojourn in the US; they take any offer that comes their way (Holzer, 2011). This means that the immigrants are ready to take any offer that comes their way. Thus, the immigrants are satisfied taking the low-paying work as long as it would guarantee their survival in the country and make them more comfortable than the way they were in their native countries. It could then be said that the immigrants are ready and willing to take up low-paying jobs that the people in the US would never be willing to do.

Effects of Mass Media Essay Example | Topics and Well Written Essays - 1000 words

Effects of Mass Media - Essay Example Adequate information is important because they prevent people from making errors or poor comparisons when getting information from different sources, and in prevention of poor conclusions. Mass media revolution has swept through the economy and no company that is capable of escaping the effects of information conveyed in new age media. Therefore, mass media can be a tool used by companies to obtain competitive advantage in various forms, which include reduction of time of obtaining, processing and transmitting business information in organizations. During the process of obtaining the information that has been found, there has been a setback, which involves the creation of an environment that allows people who take advantage of unsuspecting victims by giving false information, and if an individual researcher obtains information without careful selection, one may use information that is not relevant. Advantages and disadvantages of social media Social media has facilitated open communication between people of different cultures, creation of new friends, and communication with loved ones in different parts of the world. In promotional campaigns, people from different geographical locations are able to express, share and promote various global products (Sznitman et al, 2011). Social media has enabled people to get connected at a broad level making it easy to know and find information about almost anything from different parts of the world through the use of the media.... Social media has enabled people to get connected at a broad level making it easy to know and find information about almost anything from different parts of the world through the use of the media. Students have had the opportunity of getting technological exposure, which has enabled them to become connected to interaction options from a broad base; besides this, the media has helped students in working together and creating their own meaning on social contexts and academic environment. The use of social media helps in the development of simple skills since social media relies on advanced forms of information and communication systems that require technological literacy. Technological literacy helps in connecting people to the economy as well as making people make vulnerable contributions to the economy. The use of social media is a fun and creative way of doing business because it provides an opportunity for employees to share ideas, share links, ask questions, minimize advertising co sts of the business and improve the reputation of the business. However, there is a high probability for social media to open opportunities for hackers to commit crimes such as virus attacks and fraud making people fall prey to online frauds that eventually end in data theft. The third disadvantage of social media is the damage it can to on one’s reputation especially when using the wrong online branding strategy. Worker productivity is affected using social media at the work place; lost productivity may result using social media in ruining the reputation of a company. Instead of workers concentrating on their duties during the time of work, they may spend a lot of time on